Embracing History and Cultural Heritage Through the Chinese Hanfu Costume Tourism

Authors

  • Xin Cui China Tourism Academy (Data Centre of Ministry of Culture and Tourism)
  • Ziqian Song China Tourism Academy (Data Centre of Ministry of Culture and Tourism)
  • Xiaoyun Tang China Tourism Academy (Data Centre of Ministry of Culture and Tourism)

DOI:

https://doi.org/10.34190/ictr.8.1.3418

Keywords:

Hanfu costume tourism, cultural tourism, heritage, travel motivation, tourist experience

Abstract

Cultural heritage tourism is conceptually framed by the dialectic between heritage conservation imperatives and commercial market demands, while intangible cultural heritage tourism encompasses the experiential engagement with performative, craft-based, and ritualistic practices that encapsulate both historical and contemporary socio-cultural narratives. Dressing in traditional costumes represents an emergent phenomenon within this paradigm, particularly in China, where Hanfu has gained prominence as an instrument for cultural immersion and intangible heritage preservation. By the end of 2023, the number of Hanfu enthusiasts in China exceeded 9 million, reflecting an exponential increase and highlighting the rapid evolution of this market segment. Employing a quantitative research design, this study utilises an online questionnaire survey administered to a sample of 476 adult tourists. This study aims to critically examine the underlying motivations that drive tourists to engage in traditional costume tourism, with a particular focus on Hanfu costume tourism in China. The findings elucidate three principal motivations underlying participation in Hanfu costume tourism. First, Hanfu functions as a critical medium for immersive cultural heritage engagement, facilitating a deeper connection with traditional culture while simultaneously satisfying tourists’ aesthetic aspirations and non-quotidian self-presentation. Second, the proliferation of Hanfu-related content on social media significantly influences tourist decision-making processes, reinforcing aspirational and performative dimensions of engagement. Third, the widespread adoption of Hanfu reflects an intensified cultural identification among Chinese tourists with their indigenous heritage, concomitant with a pronounced inclination towards cultivating ritualistic and affective dimensions within their travel experiences. This research makes a substantive contribution to the discourse on cultural heritage tourism by elucidating the interrelationship between traditional costume engagement and heritage tourism motivations. The findings offer valuable theoretical and practical insights for the strategic integration of traditional costume elements into cultural heritage tourism frameworks, thereby advancing both the preservation of intangible heritage and the enhancement of tourist experiences through embodied cultural participation.

Author Biographies

Xin Cui, China Tourism Academy (Data Centre of Ministry of Culture and Tourism)

Dr Xin Cui, Ph.D. in Media and Communication, is a postdoctoral researcher at the China Tourism Academy (Data Centre of the Ministry of Culture and Tourism). Her research focuses on film and television tourism and the integrated development of culture and tourism.

She has published articles in international journals, conference proceedings, and edited volumes and has presented her research at several international academic conferences and symposiums on tourism.

Ziqian Song, China Tourism Academy (Data Centre of Ministry of Culture and Tourism)

Dr Ziqian Song, Ph.D. in Economics, is a lead researcher at the China Tourism Academy. His work focuses on tourism policy, cultural and tourism integration, and fundamental tourism theory. He has led several major research projects, published over 100 papers, authored five monographs, and received multiple provincial and ministerial-level awards.

Xiaoyun Tang, China Tourism Academy (Data Centre of Ministry of Culture and Tourism)

Dr Xiaoyun Tang, Vice President of the China Tourism Academy, holds a Ph.D. in Management and is an academic researcher and postdoctoral co-advisor. She specialises in tourism economics, technological change, and cultural tourism innovation, with over 100 publications, 40+ research projects, and multiple provincial and ministerial-level awards in China.

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Published

2025-04-14