Stories of #EndSARS: Applying Social Network Analysis through a Postcolonial Framework

Authors

DOI:

https://doi.org/10.34190/ecsm.12.1.3320

Keywords:

Social Network analysis, social media activism, postcolonialism, #EndSARS, networked narratives, networked microcelebrity

Abstract

Social media has become central to contemporary activism, transforming how movements worldwide mobilise and organise around shared goals. The #EndSARS movement in Nigeria started in 2017 as a citizen-led effort that confronted police brutality, especially from the Special Anti-Robbery Squad (SARS) of the Nigerian Police. Facilitated primarily by social media platforms such as Twitter, Instagram, Facebook, and WhatsApp, data shows that more than 8 million unique authors participated in creating content that commented on or provided support to the offline protests (NENDO 2020). Much like other contemporary social media activism efforts, #EndSARS lacked established and movement-recognised spokespersons; instead, networked microcelebrities and influential voices emerged intermittently, each with varied social capital, reflecting the movement's decentralised nature. This paper presents research into the lived experiences of #EndSARS activists on Instagram, utilising a modified social network analysis to identify these individuals without relying on popularity metrics alone. Adopting a postcolonial lens, this research centred on inclusive representation to disrupt traditional hierarchies where dominant voices speak over, or on behalf of, marginalised communities. This approach was implemented through Richardson's (2000) crystallisation and by operationalising Tufekci's (2013) concept of the "networked microcelebrity". Standard social network analysis metrics were adapted to recognise diverse voices and multifaceted connections among activists. The resulting visualisation platform highlights interactions among 117 information-rich participants, offering multidirectional perspectives on the movement's narrative. This approach enhanced the visibility of less-prominent activists and provided a nuanced, visually engaging map of the networked narratives driving #EndSARS. In a broader context, this approach initiates the conversation on decolonising social network analysis to incorporate more diverse and representative voices.

Author Biographies

Godswill Okwuchukwu Ezeonyeka, Coventry University, Coventry, United Kingdom

Godswill Ezeonyeka is a PhD candidate at Coventry University’s Centre for Postdigital Cultures. He holds an MA in Communication, Culture, and Media, informing his work in participatory documentaries and poetry films. His research examines how documentary filmmaking highlights diverse narratives in Nigerian social media activism, focusing on the #EndSARS movement.

Abhiram Anand Thiruthummal, Coventry University, Coventry, United Kingdom

Abhiram Anand Thiruthummal earned a B.Sc. and M.Sc. in Physics from the Indian Institute of Science and an M.Sc. in Data Science from the University of Bath. Currently pursuing a PhD at Coventry University, his research focuses on applying mathematics and machine learning to challenges in physical and social sciences.

Sarah Kate Merry, Coventry University, Coventry, United Kingdom

Dr Sarah Kate Merry is a Research Fellow in Coventry University’s Centre for Postdigital Cultures. Sarah is a social scientist whose research focuses on the impact of the internet on social interactions, particularly among marginalised groups. Her current research investigates online peer support communities for adults recently diagnosed with ADHD.

Downloads

Published

2025-05-20